The overcast presents a challenge many painters prefer to avoid. But it is great training. The values are close, the shadows dim or non existent. The colours are unlit but often quite saturated. One advantage is that the light does not change as drastically or as quickly. Your job is to make it a painting. Take the opportunity to train your eye, to squint, to compare, to relax, to just paint, not think.
Wolf Watch, 10x12, Oil on Board
Somehow I found a number 6 bristle brush in my hand after initiating the painting with the number 14. We also stayed out too long between warm ups. By the time I realized how tight the painting was I also realized I had the little brush in may hand and it was time for the mid day break. I promised to go with the 14 in the afternoon and that worked out fine.
Another great day of painting, laughter, beauty, and friendship.
The palette was Ultramarine Blue, Viridian, Cadmium Yellow Light, Cadmium Orange, Alizarin, and Titanium White.
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