Practical Colour Wheel vs Value
This might seem trivial. However, when teaching I find that many people struggle with value once colour is introduced. The result is a painting with middle values. Such a painting is read as dark, lifeless, or perhaps reflective of a rainy day when indeed it is a bright sunny day. I see countless paintings in juried shows exhibiting the same look.
A reference to the wheel would tell a painter that a sky painted with a mixture primarily of Ultramarine Blue (value ~2) would have to be lightened significantly to bring it to a 9 if that is what you see.
In addition, there are value checkers available commercially.
This configuration can also lead you to mixtures for a beautiful dark instead of using a dull earth tone such as Burnt Umber. For example, the complements of Viridian plus Alizarin with the addition of Ultramarine form a juicy rich dark especially when not over-mixed.
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